Events
« October 01, 2010 - October 31, 2010 »
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10 / 1
(all day)
Start: Sep 30 2010 - 07:10
End: Oct 2 2010 - 07:10
International Conference organized by
Jaqueline Berndt (Kyoto Seika University), Franziska Ehmcke (University of Cologne), Bettina Kümmerling-Meibauer (University of Tübingen) and Steffi Richter (University of Leipzig), in cooperation with the Japan Foundation (Japanisches Kulturinstitut), the Center for Intercultural and Transcultural Studies, University of Cologne and the International Manga Research Center, Kyoto Seika University
Conference venue: Cultural Institute of Japan, Cologne (www.jki.de)
*Program*
Thursday, 30 September 2010
Registration 11.30-13.00
Welcome 13.30-14.00
Paper Presentation 1: Ph.D. Students Workshop
chair: Jean-Marie Bouissou (Paris, France)
14.00-14.35 Felix Giesa (Cologne, Germany) & Jens Meinrenken (Berlin, Germany): 20th century toy, I wanna be your boy: Character and identity in Urasawa Naoki’s “20th Century Boys”
14.35-15.10 Verena Maser (Nürnberg-Erlangen, Germany): Love between girls in the graphic arts: A comparison between yuri and the webcom “Yu+Me: dream”
15.10-15.20 Break
15.20-15.55 Nele Noppe (Leuven, Belgium): Translating the visual languages of Japanese fan comics and North American and European fan art
http://nelenoppe.net/fanficforensics/blog/1
15.55-16.30 I-Wei Wu (Heidelberg, Germany): A flow of satirical pictorials in East Asia: The case of “Shanghai Puck” and “Tokyo Puck”
16.35-17.00 Break: Coffee
Paper Presentation 2: Manga in Asia outside Japan
chair: Franziska Ehmcke
17.00-17.35 Helmolt Vittinghoff (Cologne, Germany): Chinese Comics: Amusement or/and propaganda?
17.40-18.15 Ulrike Niklas (Cologne, Germany): Amara Chitra Katha and modern Indian middle class
18.15-19.00 Break: Snack
Keynote Lecture
chair: Bettina Kümmerling-Meibauer
19.00-20.00 Frederik L. Schodt (San Francisco, United States): Creation of a manga-comic hybrid
Reception at the Cultural Institute of Japan, Cologne
Friday, 1 October 2010
Paper Presentation 3: Historical perspectives on manga
chair: Steffi Richter
09.30-10.15 Ronald Stewart (Hiroshima, Japan): “Manga” as a form of “Western” resistance against traditional Japanese Expression: Kitazawa Rakuten and the early discourse on “manga”
10.15-11.00 Pascal Lefèvre (Leuven, Belgium): The mischief gag comic, an international phenomenon: Yokohama Ryuichi’s “Fuku-chan” and its friends in Europe and the Americas
11.00-11.15 Short Break
Paper Presentation 4: “gekiga” movement revisited
chair: Jaqueline Berndt
11.15-12.00 Roman Rosenbaum (Sydney, Australia): From the national to the transcultural: Tatsumi Yoshihiro’s “gekiga”
12.00-12.45 CJ (Shige) Suzuki (Bethlehem, PA, United States): Tatsumi Yoshihiro and the gekiga movement in the global sixties
12.45-13.45 Lunch
Paper Presentation 5: Transmedial and transcultural aspects 1
chair: Thomas Becker
13.45-14.30 Maheen Ahmed (Bremen, Germany): Hybrid methodology for La Nouvelle Manga
14.30-15.15 Elisabeth Klar (Wien, Austria): Mutants and machines: The body in European and Japanese erotic comics
15.15-15.30 Short break
Paper Presentation 6: Transmedial and transcultural aspects 2
chair: Pascal Lefèvre
15.30-16.15 Thomas Becker (Berlin, Germany): Premedialisation as symbolic capital in the intercultural communication of graphic arts
16.15-16.45 Bettina Kümmerling-Meibauer (Tübingen, Germany): Manga/comic hybrid forms in picturebooks
16.45-17.15 Break: Coffee
Paper Presentation 7: Manga in Europe
chair: Jean-Marie Bouissou
17.15-18.00 Marco Pellitteri (Trento, Italy): Manga in Europe: A short study of market and fandom
18.00-18.45 Paul Malone (Waterloo, Ontario, Canada): Transcultural hybridization in home-grown German manga
18.45-19.00 Break
19.00-20.00 Panel Discussion with female German mangaka: Christina Plaka, Anne Delseit & Martina Peters
Dinner (restaurant, just for speakers)
Saturday, 2 October 2010
Workshop:
Transculture, Transmedia, Transgenre: NARUTO challenging Manga/Comics Studies
The sort of manga, which dominates the perception of Japanese comics worldwide in the early 21st century, is hardly to be characterized by intercultural relations, that is, exchanges between discrete entities.
Mainstream manga today are, first and for all, shaped by and engaged in transcultural flows. Whereas previously, American comics, bande dessinée
and manga retained an obvious distinctiveness for both artists and readers, nationally defined styles and narratives have been losing significance under the conditions of globalization and information society. This situation raises, at least, three issues: first, whether the intercultural is actually replaced by the transcultural or rather supplemented; second, whether the cultural is confined to the national,or how the national relates to the regional, local and subcultural, which also applies to trans/gender; third, how the transcultural is facilitated by recent transmedia flows which call the very identity of comics into question. This workshop focuses on one representative work, or more precisely, franchise: NARUTO.
9.30-9.40 Introduction: Steffi RICHTER (chair)
Part 1: A Media Product and its Crosscultural Mediators
9.45-10.05 Radoslaw BOLALEK (Warsaw, Poland): NARUTO on the Polish comics market: Observations from the perspective of a (researching)publisher
10.05-10.25 OMOTE Tomoyuki (Kyoto, Japan): NARUTO as a typical weekly-magazine manga
10.25-10.45 ITO GO (Tokyo, Japan): Particularities of boys’ manga in the early 21st century: How NARUTO differs from Dragon Ball
10.45-11.15 Zoltan KACSUK (Budapest, Hungary): Subcultural entrepreneurs, path dependencies and fan reactions: The case of NARUTO in Hungary
11.15-12:00 Discussion
12.00-13.00 Lunch
Part 2: National ‘Odor’
13.00-13.20 YAMANAKA Chie (Echizen, Japan): NARUTO as a manhwa: On the reception of Japanese popular culture in the Republic of Korea
13.20-13.40 Franziska EHMCKE (Cologne, Germany): The tradition of the naruto motif in Japanese Culture
13:40-14:10 Discussion
Part 3: Gendered Readership
14.15-14.35 FUJIMOTO Yukari (Tokyo, Japan): Women in NARUTO, women reading NARUTO
14.35-14.55 OGI Fusami (Dazaifu, Japan): NARUTO as a transcultural narrative in North America: Uniting superheroes and women
14:55-15:20 Discussion
Part 4: Beyond Comics
15.20-15.40 Martin ROTH (Leipzig, Germany): Playing NARUTO: Gaming experience, databases and unit operations
15.40-16.00 Jaqueline BERNDT (Kyoto, Japan): NARUTO as a challenge to Comics Studies
16:00-16:15 Coffee Break
16:15-17:00 Final discussion
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10 / 2
End: 7:10 am
Start: Sep 30 2010 - 07:10
End: Oct 2 2010 - 07:10
International Conference organized by
Jaqueline Berndt (Kyoto Seika University), Franziska Ehmcke (University of Cologne), Bettina Kümmerling-Meibauer (University of Tübingen) and Steffi Richter (University of Leipzig), in cooperation with the Japan Foundation (Japanisches Kulturinstitut), the Center for Intercultural and Transcultural Studies, University of Cologne and the International Manga Research Center, Kyoto Seika University
Conference venue: Cultural Institute of Japan, Cologne (www.jki.de)
*Program*
Thursday, 30 September 2010
Registration 11.30-13.00
Welcome 13.30-14.00
Paper Presentation 1: Ph.D. Students Workshop
chair: Jean-Marie Bouissou (Paris, France)
14.00-14.35 Felix Giesa (Cologne, Germany) & Jens Meinrenken (Berlin, Germany): 20th century toy, I wanna be your boy: Character and identity in Urasawa Naoki’s “20th Century Boys”
14.35-15.10 Verena Maser (Nürnberg-Erlangen, Germany): Love between girls in the graphic arts: A comparison between yuri and the webcom “Yu+Me: dream”
15.10-15.20 Break
15.20-15.55 Nele Noppe (Leuven, Belgium): Translating the visual languages of Japanese fan comics and North American and European fan art
http://nelenoppe.net/fanficforensics/blog/1
15.55-16.30 I-Wei Wu (Heidelberg, Germany): A flow of satirical pictorials in East Asia: The case of “Shanghai Puck” and “Tokyo Puck”
16.35-17.00 Break: Coffee
Paper Presentation 2: Manga in Asia outside Japan
chair: Franziska Ehmcke
17.00-17.35 Helmolt Vittinghoff (Cologne, Germany): Chinese Comics: Amusement or/and propaganda?
17.40-18.15 Ulrike Niklas (Cologne, Germany): Amara Chitra Katha and modern Indian middle class
18.15-19.00 Break: Snack
Keynote Lecture
chair: Bettina Kümmerling-Meibauer
19.00-20.00 Frederik L. Schodt (San Francisco, United States): Creation of a manga-comic hybrid
Reception at the Cultural Institute of Japan, Cologne
Friday, 1 October 2010
Paper Presentation 3: Historical perspectives on manga
chair: Steffi Richter
09.30-10.15 Ronald Stewart (Hiroshima, Japan): “Manga” as a form of “Western” resistance against traditional Japanese Expression: Kitazawa Rakuten and the early discourse on “manga”
10.15-11.00 Pascal Lefèvre (Leuven, Belgium): The mischief gag comic, an international phenomenon: Yokohama Ryuichi’s “Fuku-chan” and its friends in Europe and the Americas
11.00-11.15 Short Break
Paper Presentation 4: “gekiga” movement revisited
chair: Jaqueline Berndt
11.15-12.00 Roman Rosenbaum (Sydney, Australia): From the national to the transcultural: Tatsumi Yoshihiro’s “gekiga”
12.00-12.45 CJ (Shige) Suzuki (Bethlehem, PA, United States): Tatsumi Yoshihiro and the gekiga movement in the global sixties
12.45-13.45 Lunch
Paper Presentation 5: Transmedial and transcultural aspects 1
chair: Thomas Becker
13.45-14.30 Maheen Ahmed (Bremen, Germany): Hybrid methodology for La Nouvelle Manga
14.30-15.15 Elisabeth Klar (Wien, Austria): Mutants and machines: The body in European and Japanese erotic comics
15.15-15.30 Short break
Paper Presentation 6: Transmedial and transcultural aspects 2
chair: Pascal Lefèvre
15.30-16.15 Thomas Becker (Berlin, Germany): Premedialisation as symbolic capital in the intercultural communication of graphic arts
16.15-16.45 Bettina Kümmerling-Meibauer (Tübingen, Germany): Manga/comic hybrid forms in picturebooks
16.45-17.15 Break: Coffee
Paper Presentation 7: Manga in Europe
chair: Jean-Marie Bouissou
17.15-18.00 Marco Pellitteri (Trento, Italy): Manga in Europe: A short study of market and fandom
18.00-18.45 Paul Malone (Waterloo, Ontario, Canada): Transcultural hybridization in home-grown German manga
18.45-19.00 Break
19.00-20.00 Panel Discussion with female German mangaka: Christina Plaka, Anne Delseit & Martina Peters
Dinner (restaurant, just for speakers)
Saturday, 2 October 2010
Workshop:
Transculture, Transmedia, Transgenre: NARUTO challenging Manga/Comics Studies
The sort of manga, which dominates the perception of Japanese comics worldwide in the early 21st century, is hardly to be characterized by intercultural relations, that is, exchanges between discrete entities.
Mainstream manga today are, first and for all, shaped by and engaged in transcultural flows. Whereas previously, American comics, bande dessinée
and manga retained an obvious distinctiveness for both artists and readers, nationally defined styles and narratives have been losing significance under the conditions of globalization and information society. This situation raises, at least, three issues: first, whether the intercultural is actually replaced by the transcultural or rather supplemented; second, whether the cultural is confined to the national,or how the national relates to the regional, local and subcultural, which also applies to trans/gender; third, how the transcultural is facilitated by recent transmedia flows which call the very identity of comics into question. This workshop focuses on one representative work, or more precisely, franchise: NARUTO.
9.30-9.40 Introduction: Steffi RICHTER (chair)
Part 1: A Media Product and its Crosscultural Mediators
9.45-10.05 Radoslaw BOLALEK (Warsaw, Poland): NARUTO on the Polish comics market: Observations from the perspective of a (researching)publisher
10.05-10.25 OMOTE Tomoyuki (Kyoto, Japan): NARUTO as a typical weekly-magazine manga
10.25-10.45 ITO GO (Tokyo, Japan): Particularities of boys’ manga in the early 21st century: How NARUTO differs from Dragon Ball
10.45-11.15 Zoltan KACSUK (Budapest, Hungary): Subcultural entrepreneurs, path dependencies and fan reactions: The case of NARUTO in Hungary
11.15-12:00 Discussion
12.00-13.00 Lunch
Part 2: National ‘Odor’
13.00-13.20 YAMANAKA Chie (Echizen, Japan): NARUTO as a manhwa: On the reception of Japanese popular culture in the Republic of Korea
13.20-13.40 Franziska EHMCKE (Cologne, Germany): The tradition of the naruto motif in Japanese Culture
13:40-14:10 Discussion
Part 3: Gendered Readership
14.15-14.35 FUJIMOTO Yukari (Tokyo, Japan): Women in NARUTO, women reading NARUTO
14.35-14.55 OGI Fusami (Dazaifu, Japan): NARUTO as a transcultural narrative in North America: Uniting superheroes and women
14:55-15:20 Discussion
Part 4: Beyond Comics
15.20-15.40 Martin ROTH (Leipzig, Germany): Playing NARUTO: Gaming experience, databases and unit operations
15.40-16.00 Jaqueline BERNDT (Kyoto, Japan): NARUTO as a challenge to Comics Studies
16:00-16:15 Coffee Break
16:15-17:00 Final discussion
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10 / 7
Start: 6:00 pm
Start: Oct 7 2010 - 18:00
End: Oct 9 2010 - 00:00
The Columbia Center for Japanese Religion presents
the 2010 John C. Weber Symposium on Japanese Religion and Culture: Images and Objects in Japanese Buddhist Practice.
Columbia University
116th street and Broadway
New York, NY, 10027
The Columbia Center for Japanese Religions announces the first annual John C. Weber International Symposium on Japanese Religion and Culture. The 2010 symposium, entitled Images and Objects in Japanese Buddhist Practice, will be held in Room 301 Philosophy Hall at Columbia University from October 7th to the 9th, 2010.
It will begin with a keynote address on the evening of Thursday October 7 and will be followed by two days of papers and discussion on Friday and Saturday, October 8th and 9th. The symposium will bring together scholars of Japanese Buddhist art from Japan, Europe, and North America to critically examine the historical use of objects of visual and material culture in Japanese Buddhist practice. Through the presentation and discussion of new scholarly work from diverse theoretical and methodological perspectives, this symposium will explore the relations between images, objects, and ritual in the history of Japanese Buddhism.
The symposium is free and open to the public.
CCJR offers travel grants to help cover the expenses of any graduate student who wishes to attend.
THURSDAY, October 7 th
6:00 - 6:30pm Reception
6:30 - 8:00pm Mimi Yiengpruksawan, Yale University
Fire Starter: The Local and Global Implications of Fujiwara no Yukinari’s Devotion to Blue Acala
FRIDAY, October 8th
9:30 - 10:25am Helmut Brinker, University of Zurich
The Iconic Body as Insight into Japanese Buddhist Practice
10:50 - 11:45am Nedachi Kensuke, Kyoto University
Materiality and Meaning: Sacred Trees and the Construction of Buddhist Images
1:00 - 1:55pm Cynthea Bogel, University of Washington
Representation, Visual Efficacy, and the Impact of Mikkyo
2:30 - 3:25pm Nagaoka Ryusaku, Tohoku University
Landscape and Buddha Image: Place and Symbolic Function in Buddhist Practice
4:00 - 4:55pm Sherry Fowler, University of Kansas
Finding the Feminine in the Thirty-Three Kannon
SATURDAY, October 9th
9:30 - 10:25am Samuel Morse, Amherst College
Securing a Place: Chindangu in Early Japan
10:50 - 11:45am Yui Suzuki, University of Maryland
Possessions: Spirits, Objects, and Bodies in Heian Birthing Rituals
1:00 - 1:55pm Yonekura Michio, Sophia University
Format and Function: On Hanging Scrolls Depicting
the Lives of Eminent Monks
2:30 - 3:25pm Bernard Faure, Columbia University
The Benzaiten and Dakiniten Mandalas: A Problem or an Enigma?
4:00 - 4:55pm Abe Yasuro, Nagoya University
Performing the Prince: Shotoku Taishi in Medieval
Religious Text, Image, and Ritual Space
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10 / 8
(all day)
Start: Oct 7 2010 - 18:00
End: Oct 9 2010 - 00:00
The Columbia Center for Japanese Religion presents
the 2010 John C. Weber Symposium on Japanese Religion and Culture: Images and Objects in Japanese Buddhist Practice.
Columbia University
116th street and Broadway
New York, NY, 10027
The Columbia Center for Japanese Religions announces the first annual John C. Weber International Symposium on Japanese Religion and Culture. The 2010 symposium, entitled Images and Objects in Japanese Buddhist Practice, will be held in Room 301 Philosophy Hall at Columbia University from October 7th to the 9th, 2010.
It will begin with a keynote address on the evening of Thursday October 7 and will be followed by two days of papers and discussion on Friday and Saturday, October 8th and 9th. The symposium will bring together scholars of Japanese Buddhist art from Japan, Europe, and North America to critically examine the historical use of objects of visual and material culture in Japanese Buddhist practice. Through the presentation and discussion of new scholarly work from diverse theoretical and methodological perspectives, this symposium will explore the relations between images, objects, and ritual in the history of Japanese Buddhism.
The symposium is free and open to the public.
CCJR offers travel grants to help cover the expenses of any graduate student who wishes to attend.
THURSDAY, October 7 th
6:00 - 6:30pm Reception
6:30 - 8:00pm Mimi Yiengpruksawan, Yale University
Fire Starter: The Local and Global Implications of Fujiwara no Yukinari’s Devotion to Blue Acala
FRIDAY, October 8th
9:30 - 10:25am Helmut Brinker, University of Zurich
The Iconic Body as Insight into Japanese Buddhist Practice
10:50 - 11:45am Nedachi Kensuke, Kyoto University
Materiality and Meaning: Sacred Trees and the Construction of Buddhist Images
1:00 - 1:55pm Cynthea Bogel, University of Washington
Representation, Visual Efficacy, and the Impact of Mikkyo
2:30 - 3:25pm Nagaoka Ryusaku, Tohoku University
Landscape and Buddha Image: Place and Symbolic Function in Buddhist Practice
4:00 - 4:55pm Sherry Fowler, University of Kansas
Finding the Feminine in the Thirty-Three Kannon
SATURDAY, October 9th
9:30 - 10:25am Samuel Morse, Amherst College
Securing a Place: Chindangu in Early Japan
10:50 - 11:45am Yui Suzuki, University of Maryland
Possessions: Spirits, Objects, and Bodies in Heian Birthing Rituals
1:00 - 1:55pm Yonekura Michio, Sophia University
Format and Function: On Hanging Scrolls Depicting
the Lives of Eminent Monks
2:30 - 3:25pm Bernard Faure, Columbia University
The Benzaiten and Dakiniten Mandalas: A Problem or an Enigma?
4:00 - 4:55pm Abe Yasuro, Nagoya University
Performing the Prince: Shotoku Taishi in Medieval
Religious Text, Image, and Ritual Space
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10 / 9
End: 12:00 am
Start: Oct 7 2010 - 18:00
End: Oct 9 2010 - 00:00
The Columbia Center for Japanese Religion presents
the 2010 John C. Weber Symposium on Japanese Religion and Culture: Images and Objects in Japanese Buddhist Practice.
Columbia University
116th street and Broadway
New York, NY, 10027
The Columbia Center for Japanese Religions announces the first annual John C. Weber International Symposium on Japanese Religion and Culture. The 2010 symposium, entitled Images and Objects in Japanese Buddhist Practice, will be held in Room 301 Philosophy Hall at Columbia University from October 7th to the 9th, 2010.
It will begin with a keynote address on the evening of Thursday October 7 and will be followed by two days of papers and discussion on Friday and Saturday, October 8th and 9th. The symposium will bring together scholars of Japanese Buddhist art from Japan, Europe, and North America to critically examine the historical use of objects of visual and material culture in Japanese Buddhist practice. Through the presentation and discussion of new scholarly work from diverse theoretical and methodological perspectives, this symposium will explore the relations between images, objects, and ritual in the history of Japanese Buddhism.
The symposium is free and open to the public.
CCJR offers travel grants to help cover the expenses of any graduate student who wishes to attend.
THURSDAY, October 7 th
6:00 - 6:30pm Reception
6:30 - 8:00pm Mimi Yiengpruksawan, Yale University
Fire Starter: The Local and Global Implications of Fujiwara no Yukinari’s Devotion to Blue Acala
FRIDAY, October 8th
9:30 - 10:25am Helmut Brinker, University of Zurich
The Iconic Body as Insight into Japanese Buddhist Practice
10:50 - 11:45am Nedachi Kensuke, Kyoto University
Materiality and Meaning: Sacred Trees and the Construction of Buddhist Images
1:00 - 1:55pm Cynthea Bogel, University of Washington
Representation, Visual Efficacy, and the Impact of Mikkyo
2:30 - 3:25pm Nagaoka Ryusaku, Tohoku University
Landscape and Buddha Image: Place and Symbolic Function in Buddhist Practice
4:00 - 4:55pm Sherry Fowler, University of Kansas
Finding the Feminine in the Thirty-Three Kannon
SATURDAY, October 9th
9:30 - 10:25am Samuel Morse, Amherst College
Securing a Place: Chindangu in Early Japan
10:50 - 11:45am Yui Suzuki, University of Maryland
Possessions: Spirits, Objects, and Bodies in Heian Birthing Rituals
1:00 - 1:55pm Yonekura Michio, Sophia University
Format and Function: On Hanging Scrolls Depicting
the Lives of Eminent Monks
2:30 - 3:25pm Bernard Faure, Columbia University
The Benzaiten and Dakiniten Mandalas: A Problem or an Enigma?
4:00 - 4:55pm Abe Yasuro, Nagoya University
Performing the Prince: Shotoku Taishi in Medieval
Religious Text, Image, and Ritual Space
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10 / 12
Start: 12:00 am
Location: Korean Auditorium (Panel I and II) and Art Auditorium (Panel III)
University of Hawaii at Manoa
Date: October 12th, 2010, 9:00 am – 6:20 pm
Location: Korean Auditorium (Panel I and II) and Art Auditorium (Panel III)
University of Hawaii at Manoa
Mini-Exhibition “Porcelain Kendi as Transcultural Trade Goods” is shown at the John Young Museum of Art in conjunction with the Utsushi symposium
Symposium Schedule
(30 min. lectures followed by panel/audience discussions 20min.)
9:00 – 9:20 Registration/ Opening Remarks
Panel I: Copying as Agency of Transculturation
Moderator: Leslie Benji Nerio (John Young Museum, Curator)
9:20 – 9:50
Utsushi: the Korean Roots of Kana Syllabic Script
Speaker: Alexander Vovin (University of Hawaii at Manoa, Professor)
9:50 – 10:20
Literati Irony: Utsushi of the Orchid Pavilion Scroll and Nakabayashi Chikutô’s Ideology
Speaker: Kazuko Kameda-Madar (University of British Columbia, PhD Candidate)
10:20 – 10:40 Tea/Coffee and Cookies at Moore 319
10:40 – 11:10
Three Generations of Seif? Yohei: Ways of Copying Japanese Ceramics in Transition
Speaker: Shinya Maezaki (Ritsumeikan University, Post Doctoral Fellow)
11:10 – 11:40
Copies in the Art of Qiu Ying (c. 1495–1551/2)
Speaker: Stephen Little (Independent Scholar)
11:40 – 12:00 Panel and Audience Discussion
12:00 – 1:20 Lunch
1:20 - 2:10 Keynote Lecture
Iconography and Copying: The Ise Stories and Sôtatsu
Speaker: Joshua Mostow (University of British Columbia, Professor)
Panel II: Copying as Iconographical Transmission
Moderator: Kate Lingley (University of Hawaii at Manoa, Assistant Professor)
2:10 – 2:40
Iconographic Transmission and Transformation of the Kiko Shôki
Speaker: Nagata Maki (Tama Art University, PhD Candidate)
2:40 – 3:10
“Utsushi” in Muromachi Ink Paintings: Issues of Designs and Expressions
Speaker: Yasunori Hata (Kyushu National Museum, Curator)
(Language: Japanese)
3:10 – 3:40
Pictorial Diffusion of The Views of Mt. Fuji and Miho Pine Grove: On the Kano School Paintings
Speaker: Yoshiya Yamashita (Kyoto National Museum, Curator)
(Language: Japanese)
3:40 – 4:00 Panel and Audience Discussion
Moving to Art Auditorium
4:00 – 4:30 Tea/Coffee and Cookies
Panel III: Copying as Strategic Adaptation and Pedagogy
Moderator: Jerome Feldman (Hawaii Pacific University, Professor)
4:30 – 5:00
Copying on the Stage: Visual Conversation between Kabuki Acting Patterns and Print Culture
Speaker: Matsuba Ryoko (Ritsumeikan University, Post Doctoral Fellow)
5:00 – 5:30
Hôryû-ji Mural Paintings in the West: Creating Copies for Non-Japanese Audience
Speaker: Princess Akiko of Mikasa (Ritsumeikan University, Post Doctoral Fellow)
5:30 – 6:00
Culture of Utsushi: Rethinking “Originalism”
Speaker: Arata Shimao (Tama Art University, Professor/Kokka Art Journal)
(Language: Japanese)
6:00 – 6:20 Panel and Audience Discussion
6:20 Epilogue: Gay Satsuma (University of Hawaii at Manoa, CJS Vice Director)
Sponsored by:
Art and Art History Department, University of Hawaii at Manoa
Art Research Center, Ritsumeikan University
Center for Japanese Studies, University of Hawaii at Manoa
Consulate General of Japan in Honolulu
Digital Humanities Center for Japanese Arts and Cultures, Ritsumeikan University
Japan-America Society of Hawaii
Japan Foundation
John Young Museum of Art, University of Hawaii at Manoa
Honolulu Foundation
Tetsuko S. Ho, CPA., Inc.
Pre-registration is required for this free and public event. Please send your name, affiliation, contact information and email to Kazuko Kameda-Madar (symposium organizer) at kazukokameda@msn.com no later than October 2nd. Should you have any questions regarding this symposium, please email or call Kazuko’s cell at 808 688 7473.
Start: 6:00 pm
End: 8:00 pm
JASA (Japanese Art Society of America)sponsored lecture, free to all attendees.
Institute of Fine Arts, New York University, 1 East 78 Street, NYC
Lecture by : Monika Bincsik, art historian (PhD) of Japanese decorative arts, especially lacquer. Research Assistant at the Art Research Center in Kyoto. Present project is digitizing and surveying Japanese lacquers in "foreign collections" for the Ritsumeikan University, Kyoto
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Start: 12:24 am
Start: Oct 21 2010 - 00:24
End: Oct 23 2010 - 00:24
HELD AT THE CLOSING OF THE 15TH ANNIVERSARY OF THE MANGGHA MUSEUM OF JAPANESE ART AND TECHNOLOGY, IN CONJUNCTION WITH THE INTERNATIONAL YEAR OF FRÉDÉRIC CHOPIN
LOCATION: The Manggha Museum of Japanese Art and Technology in Krakow
Organizers:
THE POLISH SOCIETY
OF ORIENTAL ART
ul. Warecka 4/6 – 10, 00-040 Warszawa
www.sztukaorientu.pl
THE MANGGHA MUSEUM
OF JAPANESE ART AND TECHNOLOGY
ul. Konopnickiej 26, 30-302 Kraków
www.manggha.krakow.pl
The third conference devoted to the art of Japan and Polish-Japanese art relations in Poland is designed as a general meeting of art historians, restorers of art works, theater and film researchers (interested in audio-visual culture) from Japan and Poland. The organizers also invite to participate researchers from all American, Asian and European centers. The conference is intended to delineate the present situation in this area of research in the world and to outline the most important directions of research development. It is also designed to be a forum for exchange and presentation of the results of the participants’ own research. The conference is expected to be a discussion and networking place for all interested academics, researchers and professionals.
In the research field of participants of Krakow Conference some important topics appear which are supposed to prevail in conference contributions:
-History of ancient Japanese art and architecture;
-Art and artistic taste in Japan;
-Japonerie and Japanisms – the European and American visions of Japan;
-Japanese music and theatre in relations to fine arts;
-Modern and contemporary art of Japan;
-Art relations between Poland and Japan;
-Collections of Japanese art in Europe and America with special regard to Feliks “Manggha” Jasienski’s collection in Krakow.
-Restoration of art works
The language of the conference will be English. Participation is subject to registration. Proposals for contributions have to be submitted. Presentations should be no longer than 20 minutes.
Conference fee: € 50. No conference fee for Ph.D. students. Participants will be assisted with booking accommodation in hotels or hostels.
Please submit your proposals with a short abstract (max. 150 words in English) before March 31st, 2010, to the Bureau of the Conference: krakow@sztukaorientu.pl.
Organizers:
Bogna Dziechciaruk-Maj – Director of the Manggha Museum of Japanese Art and Technology, Krakow
Prof. Dr. Jerzy Malinowski – President of the Polish Society of Oriental Art, Nicolaus Copernicus University, Torun
Dr. Ewa Kaminska – Krakow Branch of the PSOA, Jagiellonian University, Krakow
Dr. Agnieszka Kluczewska-Wójcik – Head of the Warsaw Branch of the PSOA, Nicolaus Copernicus University, Torun
Dr. Joanna Wasilewska – Vice-President of the PSOA, deputy director of the Asia and Pacific Museum, Warsaw
Magdalena Furmanik-Kowalska – Treasurer of the PSOA, Nicolaus Copernicus University
Scientific secretary of the Conference:
Aleksandra Görlich - Museum of Japanese Art and Technology; Krakow Branch of the PSOA
Wioletta Laskowska - Museum of Japanese Art and Technology
The conference is prepared in cooperation with:
The Section of Oriental Art, Nicolaus Copernicus University, Torun
The Asia and Pacific Museum in Warsaw
|
10 / 22
(all day)
Start: Oct 21 2010 - 00:24
End: Oct 23 2010 - 00:24
HELD AT THE CLOSING OF THE 15TH ANNIVERSARY OF THE MANGGHA MUSEUM OF JAPANESE ART AND TECHNOLOGY, IN CONJUNCTION WITH THE INTERNATIONAL YEAR OF FRÉDÉRIC CHOPIN
LOCATION: The Manggha Museum of Japanese Art and Technology in Krakow
Organizers:
THE POLISH SOCIETY
OF ORIENTAL ART
ul. Warecka 4/6 – 10, 00-040 Warszawa
www.sztukaorientu.pl
THE MANGGHA MUSEUM
OF JAPANESE ART AND TECHNOLOGY
ul. Konopnickiej 26, 30-302 Kraków
www.manggha.krakow.pl
The third conference devoted to the art of Japan and Polish-Japanese art relations in Poland is designed as a general meeting of art historians, restorers of art works, theater and film researchers (interested in audio-visual culture) from Japan and Poland. The organizers also invite to participate researchers from all American, Asian and European centers. The conference is intended to delineate the present situation in this area of research in the world and to outline the most important directions of research development. It is also designed to be a forum for exchange and presentation of the results of the participants’ own research. The conference is expected to be a discussion and networking place for all interested academics, researchers and professionals.
In the research field of participants of Krakow Conference some important topics appear which are supposed to prevail in conference contributions:
-History of ancient Japanese art and architecture;
-Art and artistic taste in Japan;
-Japonerie and Japanisms – the European and American visions of Japan;
-Japanese music and theatre in relations to fine arts;
-Modern and contemporary art of Japan;
-Art relations between Poland and Japan;
-Collections of Japanese art in Europe and America with special regard to Feliks “Manggha” Jasienski’s collection in Krakow.
-Restoration of art works
The language of the conference will be English. Participation is subject to registration. Proposals for contributions have to be submitted. Presentations should be no longer than 20 minutes.
Conference fee: € 50. No conference fee for Ph.D. students. Participants will be assisted with booking accommodation in hotels or hostels.
Please submit your proposals with a short abstract (max. 150 words in English) before March 31st, 2010, to the Bureau of the Conference: krakow@sztukaorientu.pl.
Organizers:
Bogna Dziechciaruk-Maj – Director of the Manggha Museum of Japanese Art and Technology, Krakow
Prof. Dr. Jerzy Malinowski – President of the Polish Society of Oriental Art, Nicolaus Copernicus University, Torun
Dr. Ewa Kaminska – Krakow Branch of the PSOA, Jagiellonian University, Krakow
Dr. Agnieszka Kluczewska-Wójcik – Head of the Warsaw Branch of the PSOA, Nicolaus Copernicus University, Torun
Dr. Joanna Wasilewska – Vice-President of the PSOA, deputy director of the Asia and Pacific Museum, Warsaw
Magdalena Furmanik-Kowalska – Treasurer of the PSOA, Nicolaus Copernicus University
Scientific secretary of the Conference:
Aleksandra Görlich - Museum of Japanese Art and Technology; Krakow Branch of the PSOA
Wioletta Laskowska - Museum of Japanese Art and Technology
The conference is prepared in cooperation with:
The Section of Oriental Art, Nicolaus Copernicus University, Torun
The Asia and Pacific Museum in Warsaw
|
10 / 23
End: 12:24 am
Start: Oct 21 2010 - 00:24
End: Oct 23 2010 - 00:24
HELD AT THE CLOSING OF THE 15TH ANNIVERSARY OF THE MANGGHA MUSEUM OF JAPANESE ART AND TECHNOLOGY, IN CONJUNCTION WITH THE INTERNATIONAL YEAR OF FRÉDÉRIC CHOPIN
LOCATION: The Manggha Museum of Japanese Art and Technology in Krakow
Organizers:
THE POLISH SOCIETY
OF ORIENTAL ART
ul. Warecka 4/6 – 10, 00-040 Warszawa
www.sztukaorientu.pl
THE MANGGHA MUSEUM
OF JAPANESE ART AND TECHNOLOGY
ul. Konopnickiej 26, 30-302 Kraków
www.manggha.krakow.pl
The third conference devoted to the art of Japan and Polish-Japanese art relations in Poland is designed as a general meeting of art historians, restorers of art works, theater and film researchers (interested in audio-visual culture) from Japan and Poland. The organizers also invite to participate researchers from all American, Asian and European centers. The conference is intended to delineate the present situation in this area of research in the world and to outline the most important directions of research development. It is also designed to be a forum for exchange and presentation of the results of the participants’ own research. The conference is expected to be a discussion and networking place for all interested academics, researchers and professionals.
In the research field of participants of Krakow Conference some important topics appear which are supposed to prevail in conference contributions:
-History of ancient Japanese art and architecture;
-Art and artistic taste in Japan;
-Japonerie and Japanisms – the European and American visions of Japan;
-Japanese music and theatre in relations to fine arts;
-Modern and contemporary art of Japan;
-Art relations between Poland and Japan;
-Collections of Japanese art in Europe and America with special regard to Feliks “Manggha” Jasienski’s collection in Krakow.
-Restoration of art works
The language of the conference will be English. Participation is subject to registration. Proposals for contributions have to be submitted. Presentations should be no longer than 20 minutes.
Conference fee: € 50. No conference fee for Ph.D. students. Participants will be assisted with booking accommodation in hotels or hostels.
Please submit your proposals with a short abstract (max. 150 words in English) before March 31st, 2010, to the Bureau of the Conference: krakow@sztukaorientu.pl.
Organizers:
Bogna Dziechciaruk-Maj – Director of the Manggha Museum of Japanese Art and Technology, Krakow
Prof. Dr. Jerzy Malinowski – President of the Polish Society of Oriental Art, Nicolaus Copernicus University, Torun
Dr. Ewa Kaminska – Krakow Branch of the PSOA, Jagiellonian University, Krakow
Dr. Agnieszka Kluczewska-Wójcik – Head of the Warsaw Branch of the PSOA, Nicolaus Copernicus University, Torun
Dr. Joanna Wasilewska – Vice-President of the PSOA, deputy director of the Asia and Pacific Museum, Warsaw
Magdalena Furmanik-Kowalska – Treasurer of the PSOA, Nicolaus Copernicus University
Scientific secretary of the Conference:
Aleksandra Görlich - Museum of Japanese Art and Technology; Krakow Branch of the PSOA
Wioletta Laskowska - Museum of Japanese Art and Technology
The conference is prepared in cooperation with:
The Section of Oriental Art, Nicolaus Copernicus University, Torun
The Asia and Pacific Museum in Warsaw
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